Collie

Collie by collage artist Megan Coyle
“Collie” Collage on paper. 5″x7″
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I haven’t explored collaging different dog breeds all that much, so the other day I figured I’d tackle a Collie portrait. I decided to use a simplified background with a warmer green, to create more of a contrast between the Collie and the background. I worked in bits of texture as well as solid colors, and I like how this dog seems to be smiling.

It’s always good to explore different ways to tackle a medium. Sometimes I like to work with more patterns and textures in the magazine strips I use, while other times I like to focus mainly on solid colors. Other times I have no idea what direction I’ll lean towards, and that element of surprise is all the more reason why I continue to make collages.

Brian Dailey: An Odyssey at DuPont Underground

DuPont Underground

I heard about DuPont Underground a while ago, and had been meaning to stop by sometime to check it out. I liked the concept – taking an old metro station and turning it into an arts center.  So when I heard about the Homegrown DC event, where local bands were playing in the space, I bought tickets so I could see the live music and take a look at the current art exhibit.

DuPont Underground

I especially liked the graffiti along the side of the space. I’ve always had a fondness for street art, I love the colors and bold lines, and having some graffiti within the art space was wonderful.

DuPont Underground

However, I was disappointed that the current exhibit, Brian Dailey: An Odyssey, didn’t make use of the entire space. Brian Dailey’s work mainly consisted of projected imagery on the blank wall of DuPont Underground. As you can see from the photo above, the art was confined to a very small portion of the space.

Brian Dailey at DuPont Underground

I thought Brian Dailey’s celestial wildlife pieces, part of his Impressions of Africa Redux series, were beautifully done. The vibrant colors stood out, and since I’ve always been a fan of artwork that features wildlife and animals, I was especially drawn to these pieces.

Brian Dailey at DuPont Underground

I also really enjoyed the projected scenes of people, part of his Tableaux Vivant series.

Brian Dailey at DuPont Underground

I thought Tableaux Vivant displayed an interesting commentary on everyday life.

DuPont Underground

Although the music at the exhibit was difficult to hear (the room wasn’t really prepared to have the acoustics necessary for a concert), the backdrop for the concert was beautiful in its own way.

DuPont Underground

Overall, I enjoyed seeing some beautiful graffiti and taking a look at a few of Brian Dailey’s intriguing works of art.

Flower Color Pencil Drawing from College

Color Pencil Flower Drawing from College

Back in college, I kept a sketchbook for one of my painting classes. My professor was adamant that we worked in our sketchbooks on a weekly basis (at least). As a result, I sometimes added quick doodles when I wanted to get these sketches “out of the way.” Sometimes I surprised myself with how my quick drawings turned out. Perhaps I should take up sketching again? I think it’s a pretty great way to brainstorm creative ideas.

How to Handle Criticism as an Artist

If you’re an artist or an aspiring artist, you’ll eventually find yourself getting faced with criticism. Some of the criticism will be constructive, while other times it will be too general to be useful. Criticism can sting, but it’s important to learn how to filter through the feedback you get so you don’t get too discouraged – and so you can improve in the areas that really matter.

I’ll admit that when I first started promoting my artwork online and exhibiting in galleries, any bit of criticism was pretty painful. It took years to learn how to filter through those comments so I could focus on what could improve my craft as an artist, instead of being crippled by any outside negativity. The reality is that as an artist, not everyone will enjoy your work. So you should focus more on the people who do enjoy your work, and how you can help them like it even more.

Here are some tips on how to handle criticism of your artwork:

1. Take note of the critique and push it aside.

This helps give you some distance from the criticism, and makes it easier to not take it personally so you can approach it with more of an analytical mindset. Being an artist is a personal experience. You put yourself into your work, and when it gets picked apart, it’s hard not to take it personally. So the first time you hear a critique, spend some time away from the comment. Then later, with a clear mind, revisit the feedback you received and see how it can be used to improve your craft.

2. Analyze what was said and figure out what was useful

Did the critic make a general statement without referencing anything specific? If so, no need to mull over their words since it won’t help you constructively.

3. Keep a file of any compliments or words of encouragement about your work.

It’s useful to look over this any time you get discouraging criticism, to serve as a reminder that other people do in fact enjoy your work.

4. Remind yourself why you’re an artist and keep creating.

It’s important to take every piece criticism with a grain of salt, so you don’t get too frustrated with your work. With art, it’s all too easy for others to be opinionated critics. Art is really subjective after all, and it’s important that you remind yourself what you love about your own work, so you can keep moving forward by growing in a direction that truly matters to you.

Wolf Collages from England

Collage from a student from England inspired by Megan Coyle's art

Year 3, from Collingtree CEVA Primary School in England, tweeted to me the other day with an image of one of their student’s wolf collages. The class had studied my artwork and then made their own collages.

Collage from a student from England inspired by Megan Coyle's art

They sent me quite a few images of student collages, so I decided to share a few that illustrated the type of work the class made.

Collage from a student from England inspired by Megan Coyle's art

It was a lot of fun seeing how these young artists used solid colors to piece together their works of art. I hope they keep on creating!

The Smiling Koala

The Smiling Koala by collage artist Megan Coyle
“The Smiling Koala” Collage on paper. 5″x7″
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The other day, I wanted to get started on a new collage. I’ve been thinking that I really need to revisit still life, portraiture, or landscapes again since I’ve been focusing primarily on animals. But then I remembered how much fun it is to make animal collages, so I decided to tackle a koala collage again.

Working on this little guy wasn’t easy. I found myself realizing that koalas are pretty strange looking creatures – they look almost like mice with their rounded ears, and their noses are quite unique and unusual. I think I just haven’t really studied the features of a koala all that much, and realized that I was getting tripped up over the details in their quirky characteristics. Eventually I was able to layer the magazine strips in such a way that I was satisfied with the result. This piece is done…for now.

10 Ways to get Inspired

Inspiration is something that can find you at the most unexpected times, but it’s also something that you need to pursue. Inspiration won’t always come looking around for you. Often enough, admiring the work of others can help inspire your own ideas.

Here are a few things you can do to help increase your chances of getting inspired:

1. Go on an adventure

Getting a change of scenery can give you a new perspective on the world. This can be as simple as going on a local excursion or traveling to an entirely different city. When your surroundings are different, you notice the details more than you notice them in familiar places.

2. Read a book

Reading a book is like taking your mind on an adventure. You can lose yourself in someone else’s words, and find yourself walking away from the writing with a new spin on the world. That new spin, can generate new ideas.

3. Watch a critically acclaimed movie

Critically acclaimed movies can be works of art that make you think. By watching a more artistic film, you can get your own artistic ideas.

4. Go to a concert

Beautiful music, especially when played live, is a wonderful experience. The way your senses interact with the sounds and your surroundings, can trigger your own ideas.

5. Watch a documentary on a successful person

There’s no better motivation to stop sitting and start doing, than when you hear about the struggles and successes of a successful figure. If you find that you’re in a bit of a rut, it can help to hear about how other successful people have hit their own rough patches in life.

6. Write creatively

Writing can help you with brainstorming and the creative process.

7. Go for a walk or on a run

It can help to get away from whatever you’re working on, and start taking care of yourself more. And exercise can do precisely that.

8. Surprise someone

Doing something kind for someone else can help you look at life a little differently. So often we’re focused on ourselves, that when we shift that focus, it can change our outlook, which helps us creatively.

9. Go dancing

Similar to #7, dancing puts you in a different environment which can help you find inspiration. Sometimes having fun and getting outside of your head for a little bit, is all you need.

10. Just practice your craft

If you practice your craft even when you’re not feeling motivated or inspired, you can get a gust of inspiration simply by sitting down and making time for it.

How to “Paint with Paper”

Commuters is a collage by Megan Coyle

I call the collage technique I use, “painting with paper,” because I manipulate magazine strips in such a way that they mimic the brushstrokes in a painting. By focusing on color and texture, I cut magazine pages into various shapes that make up the shadows and highlights of different compositions.

If you’re interested in making your own “painting with paper” collage, here are the steps you can follow:

1. Gather your materials

You’ll need:

  • a stack of magazines
  • watercolor paper or some sort of material to make your collage on
  • pencil and eraser
  • scissors
  • acid-free glue stick (this makes it easier to make adjustments to your collage when it’s still a work in progress)
  • UV-protective varnish

Materials that Megan Coyle uses for her collages

2. Pick a composition

Figure out what you want to collage. I like to take photos when I travel, which I later use as reference images for my artwork. I typically like to use animals, still life, landscapes, and people as the subjects for my art.

3. Sketch our your composition

On the support you’re using, sketch out your composition so you have a plan for the direction of your collage. The detail of the sketch may depend on the composition – for example, it may be simpler for minimalist landscape compositions, or more detailed when capturing the likeness of someone for a portrait.

Sketch of Commuters by collage artist Megan Coyle

4. Select colors and patterns

Page through the stack of magazines and tear out pages that have colors and patterns you’d like to incorporate into your collage. Sometimes I like to sort the magazine pages by color to make it easier when it comes to piecing together the collage.

Materials that Megan Coyle uses for her collages

5. Cut and paste shapes from the magazine pages

Cut out different shapes from the magazine pages based on the different shapes of shadows and highlights that compose your composition. Paste them on top of your sketch. You may want to cut several shapes before you start pasting, or paste the shapes down as you go.

Work in Progress of Commuters by collage artist Megan Coyle

6. Keep piecing it together

Add as many layers as you need in order to have the collage looking the way you want it to look. What’s great about collage, is that you can easily peel back previous layers if they aren’t working for you. You can also add layers to different sections.

Commuters by collage artist Megan Coyle

7. Varnish your collage

Once your collage is complete, varnish it with a UV-protective varnish so all the magazine strips stay in place. This will also help protect the paper from sunlight. Paper is a delicate material, and you’ll want to take as many steps as possible to protect your artwork.

8. Frame your collage

I’d recommend framing your collage with UV-protective glass as well.

And there you have it – the steps for making your own “painting with paper” collage. Feel free to leave a comment below if you have any questions or need some clarification on the process.

Still Life Collages from Pennsylvania

Student collage from Pennsylvania inspired by Megan Coyle's art

Lauren, a teacher at a high school in Pennsylvania, shared some of her students’ work with me. Her 9th grade students in an introductory art course created collages inspired by Georgia O’Keeffe’s flowers and skulls, and my collage work and technique.

Student collage from Pennsylvania inspired by Megan Coyle's art

The students focused on color and separated their subjects and background by warm and cool colors.

Student collage from Pennsylvania inspired by Megan Coyle's art

It was wonderful getting a chance to look through their colorful compositions.

Student collage from Pennsylvania inspired by Megan Coyle's art

You can see that some of the students used more rectangular strips of paper for their compositions, which is similar to a lot of the shapes I use for backgrounds or more minimalist pieces I’ve made in the past.

Student collage from Pennsylvania inspired by Megan Coyle's art

Other students incorporated bits of texture and patterns in the magazine strips they used, as you can see above.

Student collage from Pennsylvania inspired by Megan Coyle's art

While others had more of a balance of solid colors and textures in the paper they used.

Student collage from Pennsylvania inspired by Megan Coyle's art

Yet again, I enjoyed seeing more student art. Keep up the great work!

How my Art Portfolio Site Evolved

Megan Coyle's website

I studied painting and creative writing when I was in college. As an art major, I had a project to make a portfolio website for my artwork. And that’s how I got started with web development – I taught myself HTML, CSS, and JavaScript so I could have a functioning portfolio site.

Megan Coyle's previous version of her website

The first version of my portfolio site looked pretty terrible, but I was so proud that I figured out how to make it all on my own. I also liked how building the website was an art of its own. Above you can see that I made the header and navigational links collaged images. I later learned that using images for navigation isn’t very user-friendly, so I converted the navigation to text.

Megan Coyle's previous version of her website

Aside from teaching myself to code, and continuing to read articles on the subject, I also started taking classes in graphic design. I was hungry to make my website better, but I also wanted to make it look better too. I ended up creating a logo for my site, which you can see above. I suppose I was pretty proud that I designed the logo all on my own, that initially it was rather large in the header.

Megan Coyle's previous version of her website

For the next version of my site, I realized I needed to shrink the logo down more, and I started featuring more images of my work on the homepage. Once I had a better handle on the basic look and feel, I started building it out more.

In 2010, I put together an educational section with online lesson plans, since I noticed that students and teachers were contacting me every year with questions about my work. I wanted to make it easier for others to learn about my process and technique.

Megan Coyle's previous version of her website

I continued to play around with the overall look and feel, as well as making improvements to the user experience, like making the website responsive.

Megan Coyle's website

Earlier this year, I worked on redesigning my site once more. I even added an online store for purchasing my work directly from the site, to make things easier for users. I also redesigned the logo so it wouldn’t emphasize my collage work as much, which would open my work up to other mediums.

My site has come a long way. I’m proud that I’ve taught myself a number of things while going through the process of building it – such as learning about coding, web design, user experience design, and content creation. I’m so thankful that it’s easy to share artwork online – and by having a web presence, I’m able to reach people I never thought I’d be able to reach before.

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